JOURNAL OF COMPARATIVE STUDIES
http://journals.du.lv/index.php/jcs
<p style="text-align: justify;"><strong>Focus and Scope: </strong>“Journal of Comparative Studies” / Komparatīvistikas almanahs is a double-blind peer-reviewed international, collaborative English-language scholarly journal published by Daugavpils University (Latvia) in cooperation with University of Zakho (Kurdistan-Region-Iraq). It is aimed at involving scholars from academic communities around the world and promoting a broad conception of cultural studies in the Humanities and Social Sciences. The journal publishes original multidisciplinary research articles dealing with issues of regional, national, transnational, international, and global significance applying comparative research methodology on diverse aspects of culture (cultural memory and identity, values and beliefs, customs and rituals, lifestyles and their social impact within social groups etc.) and their facets in literature, language, and society. By providing a platform for a scientific polylogue and collaboration in the framework of the research programme “Regional Studies, Literature and Arts” it is highly recognized not only regionally, but also internationally.</p>Daugavpils Universityen-USJOURNAL OF COMPARATIVE STUDIES2255-9388FOREWORD
http://journals.du.lv/index.php/jcs/article/view/30
<p>...</p>Ilze KačāneAlīna Romanovska
Copyright (c) 2022 JOURNAL OF COMPARATIVE STUDIES
2022-06-222022-06-22103967The Perception of Time in the Virtual Space: A Cultural-Philosophical Analysis
http://journals.du.lv/index.php/jcs/article/view/31
<p><span dir="ltr" style="left: 236.266px; top: 263.79px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.939838);" role="presentation">In this article, we will present the key conceptions of time in Western</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 284.99px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.00587);" role="presentation">culture, while observing changes in the perception of time in the</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 306.19px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.988366);" role="presentation">context of virtual space. Among other things, we will examine the</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 327.39px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.04076);" role="presentation">change in the Newtonian space-time concept. The Newtonian</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 348.59px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.967711);" role="presentation">conception views a permanent system of space and time. Being in</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 369.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.935805);" role="presentation">virtual space transforms us, it would seem, to the cultural conception</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 390.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.03867);" role="presentation">of time presented by Einstein, which does not view time as an</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 411.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.946072);" role="presentation">absolute measure, but rather as changing according to the speed of</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 433.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.984555);" role="presentation">our movement. The faster we move, time speed reduces. It is not</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 454.389px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.958561);" role="presentation">the objective of this article to probe the depths of physics, but to try</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 475.589px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.960411);" role="presentation">and understand the cultural shifts in the perception of time in terms</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 496.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.962629);" role="presentation">of existing physics models.</span><br role="presentation"><span dir="ltr" style="left: 274.266px; top: 517.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.965543);" role="presentation">Moreover, we will explore the cultural return to ìmystical timeî</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 538.988px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.990855);" role="presentation">in terms of the ìdivine gazeî ñ today, in virtual space, a new point</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 560.188px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.986403);" role="presentation">of view enables us to observe existence from an external point of</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 581.388px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.976918);" role="presentation">view. Changes also include the obstruction of the linear sequence</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 602.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.01379);" role="presentation">of time due to the simultaneity of past, present and future in the</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 623.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.976423);" role="presentation">Augmented Virtual Reality. In this article, we will attempt to under-</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 644.788px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.962299);" role="presentation">stand experiencing virtual reality in terms of hallucination time, and</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 665.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.940996);" role="presentation">will conclude with the virtual promise of eternal life ñ being in eternal</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 687.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.980682);" role="presentation">time, which exists in the virtual space.</span></p>Bina Nir
Copyright (c) 2022 JOURNAL OF COMPARATIVE STUDIES
2022-06-222022-06-221039827Virtual Reality in World and Latvian Science Fiction
http://journals.du.lv/index.php/jcs/article/view/32
<p><span dir="ltr" style="left: 236.266px; top: 263.79px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.0119);" role="presentation">The objective of this article is to examine the depiction of virtual</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 284.99px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.951541);" role="presentation">reality and the pertinent storytelling characteristics in science fiction</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 306.19px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.969541);" role="presentation">written by foreign and Latvian authors. In world science fiction, the</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 327.39px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.949753);" role="presentation">idea of virtual reality and computer-generated worlds as a particular</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 348.59px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.00394);" role="presentation">segment of reality appeared as early as after World War II, yet it</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 369.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.939243);" role="presentation">was after the evolution of a specific sci-fi subgenre, known as cyber-</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 390.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.975102);" role="presentation">punk, that it became especially popular. The novel ìNeuromancerî</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 411.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.992242);" role="presentation">by William Gibson (1984) is considered as the defining oeuvre of</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 433.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.973871);" role="presentation">this type of science fiction. Writers did, however, continue to study</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 454.389px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.990373);" role="presentation">virtual reality not only using the peculiar</span> <span dir="ltr" style="left: 529.666px; top: 454.389px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.03546);" role="presentation">noir</span> <span dir="ltr" style="left: 562.666px; top: 454.389px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.956534);" role="presentation">aesthetics pertaining</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 475.589px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.00196);" role="presentation">to cyberpunk, but also in works of a lighter character. Nowadays</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 496.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.04353);" role="presentation">the concept of virtual reality appears in YA [young adult ñ ed.]</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 517.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.962297);" role="presentation">literature dealing with topics related to computer gaming as well as</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 538.988px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.997973);" role="presentation">part of another popular science fiction branch, the dystopia. This</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 560.188px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.929539);" role="presentation">article looks into several acclaimed YA novels published in the recent</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 581.388px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.99213);" role="presentation">years and containing both computer-game related and dystopian</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 602.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.946751);" role="presentation">elements.</span><br role="presentation"><span dir="ltr" style="left: 274.266px; top: 623.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.994067);" role="presentation">Until now, in the not-so-wide array of Latvian science fiction</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 644.788px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.96407);" role="presentation">the idea of virtual reality has received little attention, but this article</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 665.988px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.00598);" role="presentation">inspects the science fiction works written over the last five to six</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 687.188px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.914044);" role="presentation">years (2010ñ2016), in which virtual reality is assigned a comparatively</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 708.388px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.01397);" role="presentation">significant role, thus reflecting current global trends. This article</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 729.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.936358);" role="presentation">examines the different aspects of virtual reality explored in the works</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 750.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.965901);" role="presentation">of Latvian sci-fi writers and seeks and analyses the parallels of the</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 771.788px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.927287);" role="presentation">said works with the aforementioned universal tendencies ñ especially</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 792.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.962927);" role="presentation">regarding the dystopian traits.</span></p>Bārbala Simsone
Copyright (c) 2022 JOURNAL OF COMPARATIVE STUDIES
2022-06-222022-06-2210392847Religious Poetry of Literary Origin in the Manuscript Tradition of the Russian Old Believers
http://journals.du.lv/index.php/jcs/article/view/33
<p><span dir="ltr" style="left: 236.267px; top: 263.79px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.905866);" role="presentation">The current research focuses on a little-known area of studies, didactic</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 284.99px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.922252);" role="presentation">poetry by the Russian Old Believers that originated from the medieval</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 306.19px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.988413);" role="presentation">Russian literary tradition. In particular, it aims to bring to light and</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 327.39px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.958648);" role="presentation">examine two previously unknown and unpublished religious poems</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 348.59px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.953839);" role="presentation">of a literary origin: ìWhy We Need to Endure so Much Sadness and</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 369.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.993382);" role="presentation">Trouble (An Anecdotal Story about Pakhom and Stepanida)î and</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 390.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.960401);" role="presentation">ìA Poem About a Desperate Sinnerî. Both texts were discovered in</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 411.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.02208);" role="presentation">manuscripts (by the Russian Old Believers) that are held in the</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 433.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.953427);" role="presentation">Drevlekhranilishche IRLI (Pushkinskii Dom, St Petersburg, Russia).</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 454.389px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.925592);" role="presentation">The research employs the comparative method to establish the origin</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 475.589px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.937375);" role="presentation">of these two poems and examine the adaptation techniques of some</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 496.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.932357);" role="presentation">popular didactic plots by the Old Believer men of letters. It examines,</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 517.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.918932);" role="presentation">compares and contrasts plots, motives and charactersí interpretations</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 538.988px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.988364);" role="presentation">in the above named poems with selected stories from ìThe Great</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 560.188px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.01118);" role="presentation">Mirrorî, popular reading of the 17</span><span dir="ltr" style="left: 481.867px; top: 559.898px; font-size: 9.66667px; font-family: sans-serif; transform: scaleX(0.888978);" role="presentation">th</span><span dir="ltr" style="left: 489.867px; top: 560.188px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.964057);" role="presentation">ñ18</span><span dir="ltr" style="left: 516.667px; top: 559.898px; font-size: 9.66667px; font-family: sans-serif; transform: scaleX(0.888978);" role="presentation">th</span> <span dir="ltr" style="left: 529.43px; top: 560.188px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.987213);" role="presentation">centuries. The poem ìAn</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 581.388px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.04711);" role="presentation">Anecdotal Story about Pakhom and Stepanidaî is additionally</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 602.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.98644);" role="presentation">examined in comparison with the folk tale, ìThe Little Mouseî and</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 623.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.933978);" role="presentation">the fable ìAbout Those Who Condemn Other Peopleî by the Russian</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 644.788px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.02823);" role="presentation">poet V. Maikov. The current work also aims to use these newly</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 665.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.986468);" role="presentation">discovered poems as examples of some lesser studied groups of</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 687.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.965594);" role="presentation">texts that were known to the Russian Old Believers.</span></p>Tatiana Filosofova
Copyright (c) 2022 JOURNAL OF COMPARATIVE STUDIES
2022-06-222022-06-2210394860Translation at the Crossroad of Rhetorical Trope: Translating Metaphor in the Light of Relevance Theory
http://journals.du.lv/index.php/jcs/article/view/34
<p><span dir="ltr" style="left: 236.267px; top: 263.79px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.923938);" role="presentation">This present study discusses the translation of metaphor as a stylistic</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 284.99px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.904709);" role="presentation">element in the light of Relevance theory. The data of the study consists</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 306.19px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.930545);" role="presentation">of three assorted metaphors that have been used in French and their</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 327.39px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.896267);" role="presentation">English translations. These texts have been taken from some published</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 348.59px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.925644);" role="presentation">(Achebe ìThings Fall Apartî (1958)) and unpublished literary material.</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 369.79px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.973234);" role="presentation">The study focuses on the identification and analysis, from the per-</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 390.79px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.961018);" role="presentation">spective of relevance theory, of the metaphorical expressions used</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 411.99px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.978811);" role="presentation">in the texts and explains the translation procedures resorted to by</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 433.19px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.920547);" role="presentation">the translators in dealing with such expression. The study also adopts</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 454.39px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.934042);" role="presentation">the operational framework of metaphor translation procedures based</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 475.589px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.98124);" role="presentation">on the Source Text and Target Text approach developed by Vinay</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 496.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.94611);" role="presentation">and Darbelnet (1995) and Showqi (2014). Although no single theory</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 517.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.0058);" role="presentation">of translation is able to analyse the phenomenon of metaphor in</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 538.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.939212);" role="presentation">translation, the article relies on Relevance theory in order to develop</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 560.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.04511);" role="presentation">a view on the translatability of metaphors in literary texts. The</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 581.389px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.922162);" role="presentation">metaphors analysed in this study reveal the thinking pattern of people</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 602.589px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.03093);" role="presentation">in the society. It equally provides a step in the right direction to</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 623.589px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.962134);" role="presentation">understanding the phenomenon of metaphor translation in the light</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 644.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.980029);" role="presentation">of relevance theory. We do not propose that our theory is the only</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 665.99px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.940897);" role="presentation">answer to all the challenges of translation. Despite the usefulness of</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 687.19px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.962781);" role="presentation">the theory, the translatorís competence and knowledge are equally</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 708.391px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.990332);" role="presentation">necessary to faithfully render metaphorical expressions from one</span><br role="presentation"><span dir="ltr" style="left: 236.267px; top: 729.591px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.974981);" role="presentation">language into another.</span></p>Samuel Babatunde Moruwawon
Copyright (c) 2022 JOURNAL OF COMPARATIVE STUDIES
2022-06-222022-06-2210396274Detecting Tabloidization of Online Media in Latvia
http://journals.du.lv/index.php/jcs/article/view/35
<p><span dir="ltr" style="left: 236.266px; top: 263.79px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.932293);" role="presentation">The turmoil of presidential election campaign of 2016 echoed around</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 284.99px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.984485);" role="presentation">the world. The coverage of it spread far and wide. Even local and</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 306.19px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.04722);" role="presentation">regional media started to follow the campaign that Americans</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 327.39px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.980803);" role="presentation">themselves describe as divisive and unprecedented. Most likely it</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 348.59px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.971293);" role="presentation">happened thanks to the personality of Republican Party candidate</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 369.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.912371);" role="presentation">Donald J. Trump, a businessman and a television star. His personality,</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 390.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(1.01186);" role="presentation">populist campaign and many scandals that followed him caught</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 411.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.982575);" role="presentation">the attention of the world media. The scandalous news that came</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 433.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.982576);" role="presentation">out of the campaign in the last few months became an interesting</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 454.389px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.956774);" role="presentation">media tabloidization study ground. This paper talks about detecting</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 475.589px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.958551);" role="presentation">and describing the key elements of tabloidization. Although Latvian</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 496.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.958584);" role="presentation">online news sites have been running for almost two decades, there</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 517.789px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.942586);" role="presentation">has not been an in-depth research on tabloidization of online media.</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 538.988px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.932295);" role="presentation">Therefore, methods which could be used to identify the tabloidization</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 560.188px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.995895);" role="presentation">of media content have not been developed yet. By using content</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 581.388px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.964066);" role="presentation">analysis this study tries to set a base for further research on online</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 602.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.960436);" role="presentation">media tabloidization and draws the attention to Latvian commercial</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 623.588px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.930733);" role="presentation">news portals ñ TVNET, Delfi, Apollo and public media website Lsm.lv</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 644.788px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.958581);" role="presentation">and the news they produced and republished concerning US presi-</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 665.989px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.943309);" role="presentation">dential campaign in 2016. Findings show two major aspects ñ firstly,</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 687.189px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.975008);" role="presentation">even though there is quite a lot of information about the campaign</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 708.39px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.923942);" role="presentation">published on those media sites, this information is mostly republished</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 729.59px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.939735);" role="presentation">from news agencies, secondly, the study has revealed that there are</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 750.59px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.999909);" role="presentation">some indicators of tabloidization to be found in the Latvian news</span><br role="presentation"><span dir="ltr" style="left: 236.266px; top: 771.791px; font-size: 16.6667px; font-family: sans-serif; transform: scaleX(0.944381);" role="presentation">websites.</span></p>Raivis Vilūns
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